Many modern day trumpets are mass produced. However, there are some companies that make professional trumpets using a variety of new and old techniques. With traditional techniques alongside 21st Century technology the modern day trumpets are equal to none. The level of technology within a brand depends of the size of the company. Machinery is specially made to produce individual parts for the instrument. A trumpet compromises of six different components the bell, valve block, valves, slides, lead pipe and the mouthpiece.

As seen in the clip above computers and robotic arms are dedicated to producing mouthpieces for the Yamaha Corporation. This gives them unparalleled consistency. This is just one part of the Yamaha line that is automated. The instrument is still assembled by highly skilled craftsmen which is why each trumpet has its own unique personality.

A more traditional aspect in the production process is how manufacturers still hand produce the bell section.

Most of the other parts on the trumpet like the valve block and the lead pipe are made using a mixture of techniques. Once machinery has produced all the parts, they are then assembled by a production line of skilled workers. Once the trumpet has been constructed it is then in its ‘raw state’. The trumpet will then be polished and Lacquer or Plated depending on the customer’s request. An electrical current is ran through the instrument while the lacquering or plating process is undertaken as this encourages a even finish to the surface of the trumpet.

Technology can benefit the production of these instruments but should not be used as a replacement of the traditional craftsman as I believe this would take the personality out of each trumpet. It will be interesting to see how the industry will change over the next decade and what technologies will be adapted and/or created to fuel the musical instrument market.

About the author

Jeremy has been a part of Normans since July 2012, after completing his study at the Newark School. During his study he set himself the task of building a saxophone from scratch, a feat that no one in the courses history had attempted. Before instrument repair Jeremy had a successful career in the music industry; performing at international conferences, parliamentary jazz summits and a variety of prestigious venues resulting in gaining a place at Leeds College of Music.